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And you'd be sharply limited in the kinds of projects you could produce.

The only easy multi-track recording you could do at the time was with MIDI, with hardware synthesizers or samplers, and maybe with a Mac or an Atari ST computer attached as a sequencer. Software packages that cost a few hundred dollars now deliver hundreds of audio tracks and incredibly flexible editing. You can create as many instances of effects plug-ins as you want, including spot-on emulations of compressors that cost several thousand dollars each, and attach them to as many mixer channels as you want. So from the standpoint of someone recording 20 or 30 years ago, using a DAW today is like a giant candy store; it's as if you can do almost anything.

The trick is that each program has strengths in different areas, and some tasks may be a bit more complicated in one than they are in another.While Audacity aspires to some extremely basic multi-track recording with overdubs, its real use is as a solid stereo editor.If you're recording a podcast, or editing a clip of your kid's piano recital that you recorded on your phone, Audacity is an excellent choice; you can probably start and stop there.Many of the top-tier packages also have less expensive (or even free), feature-limited editions available. We try and touch on this as much as possible within each review.It's not as simple as saying "Reaper is a budget DAW at and Studio One 3 is a professional-level DAW at 9," because you can also buy the stripped-down (but still pretty feature-rich) Studio One Artist for . In short, read our reviews (linked below) and try some demos where you can. We spent countless hours testing these products and putting together both the reviews and this guide.

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